The building was to be their administrative headquarters, but it was also to be a vitally important exhibition space. Since the young artists who started the Vienna Secession in 1897 wanted to identify themselves as modern and different, their building had to clearly break away from the rigidity of Vienna’s long standing Academic taste. Of all the buildings that the Secessionists designed and built in Vienna, the Secessionist Building was the most symbolic, the most iconic. Motifs include square and checkered patterns, dots, repetitive geometric designs, medallions, circles, carved floral ornament, sunflowers, roses, and leaves.Īrchitecture: Design goals include rectangular and cube like forms, monumental mass, and sparingly used decoration. All emphasize geometric forms, shapes, repetition, defines outlines, vertical movement, functionalism, and simplicity. Emphasis is put on honest use of materials and excellent craftsmanship.ĭesign Characteristics: Architecture, interiors, furnishings, decorative arts, and textiles exhibit minimalism, geometric silhouettes, and strong contrast. Additionally, they strive to dissolve divisions between the fine and decorative arts and design through their exhibitions. During this time, architects focused on bringing purer geometric forms into the designs of their buildings.Ĭoncepts: Secession members call for architecture, interiors, and furnishings that develop from contemporary life. Along with painters and sculptors, there were several prominent architects who became associated with The Vienna Secession. Unlike other movements, there is not one style that unites the work of all artists who were part of the Vienna Secession. The first president of the Secession was Gustav Klimt, and Rudolf von Alt was made honorary president. The Vienna Secession, also known as the Union of Austrian Artists, was formed in 1897 by a group of painters, sculptors, and architects. History of Architecture and Interior Design from the 19th CenturyĬhapter 20 Innovation- Vienna Secession: 1897-1920’s